Premium Fit. 30 singles Easy Wash; 100% Ringspun Cotton. Woven icon loop label, custom Rick Griffin inside neck print, soft-hand print. Exclusive art by Rick Griffin.

Striped crew tee with graphic at front; 100% cotton. By Hurley

Heather v-neck tee featuring front contrast comic inspired graphic; 100% cotton. by Hurley

Premium Fit. 30 singles; 100% Cotton solids and 53% Cotton/47% Polyester heathers. Woven icon loop label, custom inside neck print, soft-hand print. Exclusive art by Rick Griffin.

First appearing on a 1968 concert poster featuring Santana and Big Brother & the Holding Company at the Fillmore West, Rick Griffin's Heart and Torch design soon became one of his most famous. Ranking high on the recognition scale among Griffin fans, sharing top-three with the Flaming Eyeball [Jimi Hendrix] and Aoxomoxoa [Grateful Dead] posters, some say this particular artwork reflected his emerging Christian sensibilities projected on the defiantly secular San Francisco surroundings.

It's Only Rock 'n' Roll was a rock memorabilia store in Greenwich Village in the 80's and 90's. Famed poster artist Rick Griffin attended the 1981 Rockages Convention in New York and was asked to do a logo for the next year's event. The original version appeared on the cover of the 1982 convention's program. In 1983, the image was altered by another artist as a logo for the October opening of rock shop, It's Only Rock 'n' Roll. Finally, in 1986-'87, Rick re-did the image again, adding new lettering to the top, flying notes as airplanes and changing what had been a two-artist affair back to a Griffin original.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

It's Only Rock 'n' Roll was a rock memorabilia store in Greenwich Village in the 80's and 90's. Famed poster artist Rick Griffin attended the 1981 Rockages Convention in New York and was asked to do a logo for the next year's event. The original version appeared on the cover of the 1982 convention's program. In 1983, the image was altered by another artist as a logo for the October opening of rock shop, It's Only Rock 'n' Roll. Finally, in 1986-'87, Rick re-did the image again, adding new lettering to the top, flying notes as airplanes and changing what had been a two-artist affair back to a Griffin original.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

BG140 was one of two successful collaborative posters for Rick Griffin and Victor Moscoso, and Griffin's scarab beetle became another classic image for Hendrix.

Jimi Hendrix and the Flying Eyeball are images indelibly linked in the psychedelic poster art of the late Rick Griffin. Griffin discovered The Eyeball, in a much more benign form, in the 1950s auto detailing art of California pinstriper Von Dutch and reworked it over time to become the winged, bloodshot figure parting a ring of fire with serpent-like tentacles. The highlighted lettering, vivid color, and complicated imagery reflect Griffin's attention to precise details and the influence of Indian lore and archeology on his work. The Eyeball became associated exclusively with Hendrix's music in future billings and recordings of his performances.

It's Only Rock 'n' Roll was a rock memorabilia store in Greenwich Village in the 80's and 90's. Famed poster artist Rick Griffin attended the 1981 Rockages Convention in New York and was asked to do a logo for the next year's event. The original version appeared on the cover of the 1982 convention's program. In 1983, the image was altered by another artist as a logo for the October opening of rock shop, It's Only Rock 'n' Roll. Finally, in 1986-'87, Rick re-did the image again, adding new lettering to the top, flying notes as airplanes and changing what had been a two-artist affair back to a Griffin original.

It's Only Rock 'n' Roll was a rock memorabilia store in Greenwich Village in the 80's and 90's. Famed poster artist Rick Griffin attended the 1981 Rockages Convention in New York and was asked to do a logo for the next year's event. The original version appeared on the cover of the 1982 convention's program. In 1983, the image was altered by another artist as a logo for the October opening of rock shop, It's Only Rock 'n' Roll. Finally, in 1986-'87, Rick re-did the image again, adding new lettering to the top, flying notes as airplanes and changing what had been a two-artist affair back to a Griffin original.