Memphis Jug Band(Will Shade, Ben Ramey, Charles Polk, Will Weldon) Heroes of the Blues Trading Tee Card #21 Art by R. Crumb, Text by Stephen Calt The Memphis Jug Band was organized by singer-guitarist Will Shade, also known as Son Brimmer, who was born in 1898 and spent most of his life in Memphis. Other members of the band included musicians Ben Ramey, Charles Polk and Will Weldon. Between 1927 and 1934 the group recorded nearly seventy-five sides, many of them infectiously up-tempo pieces. Their "Bottle It Up and Go" of 1932 became a blues standard of that decade. Shade died in 1966. A portion of the proceeds from the sale of this Keep on Truckin' Apparel exclusive t-shirt will be donated to Music Maker Relief Foundation. Image copyright of Shanachie Entertainment Corp.

This playful design is perfect for mocking the better-than-you type who follows weird bands in an attempt to elevate their coolness factor.

Who's In The Dog House, You will be able to picture yourself walking anywhere in this Red Hooded 50/50 Sweatshirt. Designed for warmth and durability the 7.5 ounce, 50/50 blend fleece fabric with double-ply hood provides protection from a blinding snow storm at the North Pole or from blowing sand in the Mojave Desert. This hooded sweat is versitility plus. The convenient pouch pocket keeps hands warm or holds a water bottle. The matching drawstring and metal grommets on the hood make sure it stays where it belongs. The set-in sleeves, ribbed cuffs and banded bottom all keep this shirt together in a way that makes durability its middle name.

Who Needs Brains Hoodie. You will be able to picture yourself walking anywhere in this Hooded 50/50 Sweatshirt. Designed for warmth and durability the 7.5 ounce, 50/50 blend fleece fabric with double-ply hood provides protection from a blinding snow storm at the North Pole or from blowing sand in the Mojave Desert. This hooded sweat is versitility plus. The convenient pouch pocket keeps hands warm or holds a water bottle. The matching drawstring and metal grommets on the hood make sure it stays where it belongs. The set-in sleeves, ribbed cuffs and banded bottom all keep this shirt together in a way that makes durability its middle name.

Who Is This Girl, You will be able to picture yourself walking anywhere in this White Hooded 50/50 Sweatshirt. Designed for warmth and durability the 7.5 ounce, 50/50 blend fleece fabric with double-ply hood provides protection from a blinding snow storm at the North Pole or from blowing sand in the Mojave Desert. This hooded sweat is versitility plus. The convenient pouch pocket keeps hands warm or holds a water bottle. The matching drawstring and metal grommets on the hood make sure it stays where it belongs. The set-in sleeves, ribbed cuffs and banded bottom all keep this shirt together in a way that makes durability its middle name.

Who Needs Brains, You will be able to picture yourself walking anywhere in this White Hooded 50/50 Sweatshirt. Designed for warmth and durability the 7.5 ounce, 50/50 blend fleece fabric with double-ply hood provides protection from a blinding snow storm at the North Pole or from blowing sand in the Mojave Desert. This hooded sweat is versitility plus. The convenient pouch pocket keeps hands warm or holds a water bottle. The matching drawstring and metal grommets on the hood make sure it stays where it belongs. The set-in sleeves, ribbed cuffs and banded bottom all keep this shirt together in a way that makes durability its middle name.

He Who Laughs Last... Thinks Slowest, You will be able to picture yourself walking anywhere in this Black Hooded 50/50 Sweatshirt. Designed for warmth and durability the 7.5 ounce, 50/50 blend fleece fabric with double-ply hood provides protection from a blinding snow storm at the North Pole or from blowing sand in the Mojave Desert. This hooded sweat is versitility plus. The convenient pouch pocket keeps hands warm or holds a water bottle. The matching drawstring and metal grommets on the hood make sure it stays where it belongs. The set-in sleeves, ribbed cuffs and banded bottom all keep this shirt together in a way that makes durability its middle name.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

"If I hadn't done it, someone else would have. ???once we were going to do it, we wanted to do it right. ???" By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster. Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991. "That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

"If I hadn't done it, someone else would have. ???once we were going to do it, we wanted to do it right. ???" By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster. Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991. "That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."

"If I hadn't done it, someone else would have. ???once we were going to do it, we wanted to do it right. ???" By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster. Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991. "That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

"If I hadn't done it, someone else would have...once we were going to do it, we wanted to do it right???" By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster. Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991. "That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

The Who's first appearance at the Fillmore in June of 1967 was also one of their first opportunities to show American audiences what they were all about. The Fillmore patrons approved of what they saw and so began a long and successful relationship between the band and Bill Graham.

"If I hadn't done it, someone else would have. ???once we were going to do it, we wanted to do it right. ???" By the early 70's rock bands were burned out from the road. Performers wanted to travel less and make money faster. Bill Graham's Day on the Green concerts were the first prototypes of "festival" shows - multi performer sets in stadium settings. Staged on the lawn of the Oakland Coliseum, the Day on the Green concerts were a summer series started in 1973 that continued until shortly after Graham's death in 1991. "That was why I came up with the name "Day on the Green". I wanted to make these events special. I wanted to create giant outdoor sets so the bands would be going into a space that was like a theater piece."